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• W1988499003 abstract "Museum AnthropologyVolume 29, Issue 1 p. 20-43 From Cultural Salvage to Brokerage: The Mythologization of Mungo Martin and the Emergence of Northwest Coast Art Aaron Glass, Aaron Glass Aaron Glass is an anthropologist and artist who works primarily with Kwakwaka'wakw (Kwakiutl) people in British Columbia. He will soon complete a doctorate in anthropology at New York University. His dissertation, along with a companion film “In Search of the Hamat'sa: A Tale of Headhunting,” examines the ethnographic representation and performance history of the Hamat'sa or “Cannibal Dance.” He has published articles on various aspects of First Nations art and performance on the Northwest Coast, and is the coauthor, with Aldona Jonaitis, of a forthcoming book on the intercultural history of totem poles. This summer he will join the Department of Anthropology and Sociology at the University of British Columbia as its Killam Postdoctoral Fellow.Search for more papers by this author Aaron Glass, Aaron Glass Aaron Glass is an anthropologist and artist who works primarily with Kwakwaka'wakw (Kwakiutl) people in British Columbia. He will soon complete a doctorate in anthropology at New York University. His dissertation, along with a companion film “In Search of the Hamat'sa: A Tale of Headhunting,” examines the ethnographic representation and performance history of the Hamat'sa or “Cannibal Dance.” He has published articles on various aspects of First Nations art and performance on the Northwest Coast, and is the coauthor, with Aldona Jonaitis, of a forthcoming book on the intercultural history of totem poles. This summer he will join the Department of Anthropology and Sociology at the University of British Columbia as its Killam Postdoctoral Fellow.Search for more papers by this author First published: 08 January 2008 https://doi.org/10.1525/mua.2006.29.1.20Citations: 4AboutPDF ToolsExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinkedInRedditWechat Citing Literature Volume29, Issue1March 2006Pages 20-43 RelatedInformation" @default.
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• W1988499003 title "From Cultural Salvage to Brokerage: The Mythologization of Mungo Martin and the Emergence of Northwest Coast Art" @default.
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