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- W1990448965 abstract "The notion of creating a piece for a discrete five-channel audio environment calls for one to consider ways in which a piece could be created that could only exist in this environment, i.e., it would not be a documentation of a performance, nor could it even exist in the real acoustic world. Considering low-tech solutions to these problems led to the idea of doing a recording of solo trombone using human mobile microphone stands (or HMMS). This allows for real-time movement of both the source and the receivers during the recording process. This gives the possibility of creating a surreal audio environment that could only be created with extreme difficulty (if at all) any other way. As source material for composition, the poem, ‘‘Rather the flight of the bird passing and leaving no trace,’’ by Alberto Caeiro, who was one of many heteronyms of the Portuguese poet Fernando Pessoa, was chosen. Espcially notable is the line, ‘‘What’s past is nothing and remembering is not seeing.’’" @default.
- W1990448965 created "2016-06-24" @default.
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- W1990448965 date "2006-05-01" @default.
- W1990448965 modified "2023-09-26" @default.
- W1990448965 title "The creation of a surreal five‐channel sound environment using human mobile microphone stands" @default.
- W1990448965 doi "https://doi.org/10.1121/1.4786317" @default.
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