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- W1991282169 abstract "Ten years ago I undertook a study of 19th-century French popular theatre, concentrating on history and development of Cafi-concert and its successor Le Music Hall. Since then I have frequently returned to this work, rethinking and revising same body of material in light of shifting theoretical perspectives. My most recent return has drawn on feminist theory and focused on female performer. This writing is itself fourth version of a paper I originally delivered at a conference in 1993.' I wish to use it to some points concerning narratives and metanarratives from a (generally) postmodern perspective, in a form that demands some sort of narrative closure-the drawing of conclusions. This piece, then, is performative in that it enacts its own contradictions, and political in that it explores some of implications of various contexts from which it is produced. In his two-volume study France 1848-1914, Theodore Zeldin remarked that it was impossible to make more than a guess at precise importance of their role in city, since Cafe-concerts had yet to be studied, only pictorial ephemera survived, and the only written records are songs (1977:702). I found a huge mass of other written material available in England and France-newspaper articles, special issues of magazines, biographies, autobiographies, diaries, essays by likes of Zola and Huysmans, as well as a small number of 19thand 20th-century books-often clearly entitled Le Cafi-concert._ Many of these works discuss their precise role in life of city. Zeldin was wrong, yet I found it difficult to believe that such a distinguished scholar had not looked and so could only assume he had judged this evidence as illegitimate to serious scholarship. In two or three pages he does devote to area, Zeldin, like majority of writers of this period, tends to represent Caf&-concert as a paradigm of a lost, popular, working-class culture which was vital, interesting, decent, moral, and most importantly unthreatening.3 Obviously, in France such discourses might be attributed to" @default.
- W1991282169 created "2016-06-24" @default.
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- W1991282169 date "1996-01-01" @default.
- W1991282169 modified "2023-10-14" @default.
- W1991282169 title "Regarding History: Some Narratives concerning the Cafe-Concert, Le Music Hall, and the Feminist Academic" @default.
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- W1991282169 doi "https://doi.org/10.2307/1146591" @default.
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