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- W1991591746 abstract "In contrast to the scrupulous attention to fact that characterizes the best of scholarship in modern art, a certain casualness is often apparent when art historians and critics deal with theoretical statements by artists. Frequently, these statements are employed out of context and without sufficient respect for their original meanings, merely to add color to an author's text or to validate his own opinions. Yet this theoretical material, which may be in the form of essays, interviews, opinions given in letters or in panel discussions, etc.—material originating from the only witness to the act of creating a work of art—when properly studied in its context may provide the scholar with valuable insights into the ideology underlying the work of art. This is not at all to say that such documentary or theoretical material should be taken at its face value or that it can be utilized in the same way as the carefully reasoned system of a philosopher. Rather, it is the aim of this essay to show that when such original contemporary material is carefully selected and then placed in the ideological context in which the document came into existence, and when it is evaluated in terms of the personal and intellectual capabilities and experiences of the person making the statement, it can provide a valuable source for a deeper understanding of the ideology and hence of the work of art itself." @default.
- W1991591746 created "2016-06-24" @default.
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- W1991591746 date "1967-06-01" @default.
- W1991591746 modified "2023-09-25" @default.
- W1991591746 title "A Method for Studying the Documents of Modern Art" @default.
- W1991591746 doi "https://doi.org/10.1080/00043249.1967.10793787" @default.
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