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- W1992079011 abstract "This collection of essays makes a well-intentioned case for rescuing Arnold Schoenberg's music from the myopic gaze of note-counting music theorists. Leaving aside the fact that the political and religious aspects of Schoenberg's music have hardly been neglected lately, the book succumbs to the lack of a clear thematic focus, although there are some excellent individual essays. The book adds to the sizable literature on Schoenberg's two best-known pieces on political or religious themes, the cantata A Survivor from Warsaw and the opera torso Moses und Aron, each treated in two articles and mentioned in practically every one. Detailed studies of works less frequently analyzed, such as the oratorio fragment Die Jakobsleiter, the opera Von Heute auf Morgen, and the late choral music complete the volume. The editors rightly regret the omission of the Ode to Napoleon as well as Kol Nidre, the play Der biblische Weg and other works dealing with Schoenberg's attitudes towards Judaism and the newly-founded state of Israel. Instead of clearly focusing on politics and religion, the editors rather fuzzily expand the inquiry to include other extramusical factors such as gender, cultural life, philosophy, and Schoenberg's biography. While it is all well and good to want to reemphasize these important dimensions of his music in scholarly discourse about the composer, there are two basic problems with the approach taken here." @default.
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- W1992079011 date "2001-01-01" @default.
- W1992079011 modified "2023-10-17" @default.
- W1992079011 title "Political and Religious Ideas in the Works of Arnold Schoenberg (review)" @default.
- W1992079011 doi "https://doi.org/10.1353/mod.2001.0040" @default.
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