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- W1992871696 abstract "There are many master pieces of the cultural heritage which can´t be correctly contemplated if daylight is not part of theexhibition environment, since they were made with the sun light as essential element of them. The Portico de la Gloriaand the Cloister and paintings of Santa Maria de El Paular monastery are ones of these cases. The Portico de la Gloria(Gate of the Glory) is probably the most relevant masterpiece of the Santiago de Compostela cathedral. It is located atthe narthex of the west gate. It is a masterwork of Romanesque sculpture built between 1168 and 1188 by Master Mateo.During the XVIII century a new Baroque facade was placed in front of it replacing the middle ages wall. Daylightentering through the windows of the facade makes possible to see the art work but the sun can generate serious problemssince it heats the stone and evaporates the humidity. Thermal imagers have been used to test the thermal performance ofthe antireflection treatment located in the windows in the actual temperature of the stone sculptures. The cloister of themonastery of Santa Maria de El Paular, housed until the confiscation of 1835 a collection of 54 paintings of VincenteCarducho called Carthusian series. When in 2006 the restoration of the 52 still preserved paintings was completed, begana refurbishment of the cloister to return the paintings to their original place. We conducted a study of the incidence of theSun in the cloister and how to avoid direct sunlight on Carducho's paintings." @default.
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- W1992871696 date "2012-12-18" @default.
- W1992871696 modified "2023-10-18" @default.
- W1992871696 title "Controlling daylight illumination in cultural heritage buildings by using thin-film and thermographic technologies" @default.
- W1992871696 doi "https://doi.org/10.1117/12.999438" @default.
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