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- W1993074258 abstract "The cantata Aus der Tieffen, BWV131, is arguably one of Bach’s first masterpieces of church music, written when he was 22 or 23. It is based on Psalm 130, a cry from the depths of despair, and is stylistically different from most of his later cantatas: the sections flow together with only slight breaks, and there are no recitatives. This review of several new recordings of this piece also considers other recent interpretations of Bach’s cantatas and motets. Marcel Ponseele and Il Gardellino’s recording of BWV131 and Christoph Graupner’s Aus der Tiefen rufen wir, De Profundis (Passacaille 969, rec 2010, 58′) competes with Ponseele’s own 1991 Ricercar performance of the same work, as oboist, in the Ricercar Consort led by Erik van Nevel. That reading was superlative, but it is evidently out of print. This new one of BWV131 sounds brighter, in large part because it is performed in A minor rather than G minor, causing different effects with the string and vocal parts. This piece exhibits the Chorton/Cammerton distinction from Mühlhausen: Bach’s parts for the strings and voices are in G minor, but the oboe is treated as a transposing instrument playing in A minor. If the oboe part is transposed down, some of the low notes become unplayable and must be recomposed. If all the other parts are transposed up, the strings and voices sound more brilliant (not necessarily an asset in this piece), and the tenor and bass solos have some especially high notes. One recording that preserves Bach’s dual-key scheme is by the Purcell Quartet (Chandos, 2005); there may be others." @default.
- W1993074258 created "2016-06-24" @default.
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- W1993074258 date "2012-02-01" @default.
- W1993074258 modified "2023-09-26" @default.
- W1993074258 title "Bach cantatas and motets: Aus der Tieffen and beyond" @default.
- W1993074258 doi "https://doi.org/10.1093/em/cas005" @default.
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