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- W1998227833 abstract "Abstract Midway through Jon Amiel's Copycat (1995), the copycat killer transcribes the lyrics to Sting's “Murder by Numbers” on the back of a note he has left for police. Listeners familiar with the song will know that the composition he has chosen to appropriate is one in which Sting playfully addresses Western society's growing obsession with homicide, offering, among other things, advice on how “to turn a murder into art.” Additional informationNotes on contributorsTodd F. Tietchen TODD F. TIETCHEN is a graduate student in the University of New Mexico's English Department." @default.
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- W1998227833 date "1998-01-01" @default.
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- W1998227833 title "Samplers and Copycats: The Cultural Implications of the Postmodern Slasher in Contemporary American Film" @default.
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- W1998227833 doi "https://doi.org/10.1080/01956059809602780" @default.
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