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- W1998433762 abstract "We begin with great paradox of Raymond Chandler's career, which is often noted in passing but rarely examined closely. The most famous practitioner of that typically American art form, hardboiled detective fiction, thought of himself as a exile. Incidentally, I still regard myself as an exile, and want to come back, he told his publisher Hamish Hamilton in 1945, while he later described himself as half British to his friend James Sandoe.1 Although born in Chicago, Chandler spent years 1895-1912, between ages of seven and twenty-four, living in South London, first as a schoolboy, then a civil servant, and finally as an execrable poet, essayist, and reviewer on fringes of late Edwardian and early Georgian literary scene. As he often reminded his friends and correspondents, he was also a product of public-school system, having attended Dulwich College: one of larger public schools, he explained to his publisher Blanche Knopf in 1940, although not ranking with Eton, Harrow, Charterhouse or Marlborough (SL, 15). Chandler's England, never fully dissociated from his public-school days, was a nation of cultural and educational tradition, ethical virtue, and refined taste. He dreamed of returning there from at least 1932, when he wrote a romantic poem eulogizing the England I picture in night hours / of this bright and dismal land / of my exile and dismay.2 only after death of his wife in 1955 was he able to fulfill this desire, and he spent much of his remaining life once again in London, albeit often disillusioned with cultural decline he discovered there." @default.
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- W1998433762 date "2013-01-01" @default.
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- W1998433762 title "The Big Empty: Chandler's Transatlantic Modernism" @default.
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