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- W1999956290 abstract "In 1991, the Ira F. Brilliant Center for Beethoven Studies acquired a previously unknown exemplar of the first edition of Ludwig van Beethoven's three Sonatas for Piano op. 2. This copy (A 1) is one of three in existence that represent proof states of the edition first issued by Artaria in March 1796. Beethoven marked another copy, now located at the Staatsbibliothek zu Berlin (A 3), with corrections in his own hand. 1 Because Beethoven's autograph is lost and only a few sketches for the work survive, these precursors of Artaria's edition are the earliest extant sources for all three sonatas. Yet few music bibliographers know of their existence. Georg Kinsky and Hans Halm excluded the proof state from their thematic catalog of Beethoven's works. The title page of all three copies misspells the word dediées as dedies (fig. 1a), and this missing é quickly distinguishes the proofs from the first issue (fig 1b), described by Kinsky and Halm as Originalausgabe a. 2 Kurt Dorfmüller's update of Kinsky's and Halm's catalog adds only a footnote on Beethoven's corrected proof in Berlin. 3 Although Beethoven's letters document his frequent requests for proofs, few corrected proofs for Beethoven's [End Page 289] [Begin Page 291] early works have survived. 4 The case of opus 2 is unusual, not only for the rare glimpse it offers of Beethoven's earliest editing practices, but also because the proofs exist in more than one copy." @default.
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- W1999956290 date "2000-01-01" @default.
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- W1999956290 title "Punches, Proofs, and Printings: The Seven States of Artaria's First Edition of Beethoven's Piano Sonatas Op. 2" @default.
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- W1999956290 doi "https://doi.org/10.1353/not.2000.0109" @default.
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