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- W2000828068 abstract "Over the past few decades, there has been a sustained and productive convergence of concepts and concerns in the areas of theatre and performance studies, American ethnic studies, and national, transnational, and diasporic studies. One cluster of issues resulting from this convergence involves investigations into the nature and forms of racial, ethnic, and national identity and difference. In theory, the trend has been to investigate avenues that lead away from traditional conceptual and geographical boundaries. In practice, the most prominent arenas for the exploration and deconstruction of conventional notions of identity that have been challenged, even discredited, by historical and social developments have been postcolonial drama, intercultural performance, and drama and performance art created by artists from internal racial or ethnic minority groups. The last category of drama and performance arts, in particular, has taken advantage of the properties of embodiment unique to live performance to revise concepts of human identity. One strategy for reforming visions of identity, however, remains highly controversial in practice but relatively lightly explored from a theoretical perspective. This strategy, or more accurately, these strategies are the array of non-traditional casting practices that have burgeoned in the [End Page 389] United States since the 1960s. Unlike forms of performance that rely on the creation of new cultural institutions and new works to engage with attitudes and ideas regarding race and ethnicity that originated in the eighteenth and nineteenth centuries, the non-traditional casting practices developed during the second half of the twentieth century issue their challenge to eurocentric conceptions of American society and culture from inside the very institutions dedicated wholly or primarily to preserving a European-American dramatic heritage. This interior positioning is the source of both the potency of casting against tradition in various ways and the controversies that have surrounded these practices." @default.
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- W2000828068 date "2001-01-01" @default.
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- W2000828068 title "Changing Faces: Recasting National Identity in All-Asian(-)American Dramas" @default.
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- W2000828068 doi "https://doi.org/10.1353/tj.2001.0080" @default.
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