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- W2000883000 abstract "Abstract This paper draws an analogy between the elements of a modified Benham's disc and the variables of physical color. The hue variable of a particular color was identified as the on-off pulse resulting from an arc. The saturation variable was suggested to be the white bordering the two sides of an arc, while luminance was considered to be the amount of incident light reflecting from the disc. We have shown that statistical communication theory proves to be a useful analysis technique to examine subjective color perception. The hue pulse for a particular color was crosscorrelated with a saturation pulse, resulting in a single crosscorrelation. Since each hue is bordered on both sides by a saturation pulse, the single crosscorrelation was then crosscorrelated with the other bordering saturation pulse. This analysis indicated that each color had its own distinct shape and time shift. In order to analyze the disc pulses in the frequency domain the Fourier transform of the double crosscorrelation function was taken. The results showed that each color has a distinct instantaneous phase deviation (see equation 3). This suggests that subjective color information is transmitted in the visual pathway via an angle modulated system. This is in agreement with Fry (1945) who has suggested a modulation theory for color vision where each color has a distinct modulation pattern or wave shape, which is superimposed on a basic frequency. Roelofs and Zeeman (1957) have also indicated that a form of angle modulation is used to transmit color information. They suggested that messages are sent to the brain by oscillating current through the optic nerve. An increase or decrease of the frequency of oscillation seems to be the factor that distinguishes subjective color. We have also shown that, using the double crosscorrelation waveforms for blue, green and red, the double crosscorrelation waveforms of other colors such as yellow and orange can be predicted. The double crosscorrelation waveforms for blue, green and red are combined in the same proportions as are the three primary colors in light to yield the desired color. We have shown that statistical communication techniques can be effectively used to suggest a possible explanation for the perception of subjective color." @default.
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- W2000883000 title "A mathematical approach to explain subjective color perception" @default.
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- W2000883000 doi "https://doi.org/10.1016/0042-6989(75)90310-7" @default.
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