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- W2001234047 abstract "Baudelaire's review of the poet Le Vavasseur allowed him to explore his image of the ideal artist, one who is an intellectual gymnast, aware that poetry demands a firm effort of mind and will, and constant manipulation of language and of verse forms. In presenting the poet as saltimbank, moreover, Baudelaire not only draws on a topos favoured by nineteenth-century writers in general and himself in particular, but he also points to the role of the audience as a debasing devourer of artistic talent. He also establishes various parallels between himself and Le Vavasseur, using the latter's work as a basis less for conventional criticism than for a prose poem conveying the essence of the poet's skill. Cabrioles et culbutes Etaient mes jeux favoris, Et j'aimais toutes les luttes, Jusqu'à celles des esprits." @default.
- W2001234047 created "2016-06-24" @default.
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- W2001234047 date "1984-06-01" @default.
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- W2001234047 title "The Poet in the Gymnasium: Baudelaire and Gustave Le Vavasseur" @default.
- W2001234047 doi "https://doi.org/10.1111/j.1600-0730.1984.tb00501.x" @default.
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