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• W2001427420 abstract "INTRODUCTION In her study of of and Irish identity, Catherine Nash notes increasing pervasiveness of the West in popular travel accounts of throughout boom years of professional tourist industry during 1880s and 1890s. The late Victorians' growing taste for primitive fueled interest in region, and late nineteenth- and early twentieth-century travel accounts of that Nash details are further seen to take part in process of romanticization whereby became an almost barbaric but tantalizingly exotic other both within and without Ireland. (1) This overt primordial gloss, however, becomes dynamically problematic when viewed within its discursive framework of travel-writing's British entrepreneurial imperialist values. In his preface to an anthology of travel narratives on from 1800-2000, Glenn Hooper notes that: an ever increasing number of travel accounts reflected discourse of British imperialism of early and mid-nineteenth century, discourse which was to flower supremely in 1880s and 1890s. The nineteenth century was stamped by rhetoric of empire, and many of its trav ellers mirrored, and in some cases passionately articulated, empire politics. (2) The idealized purity of Ireland's western corner was posited by ensuing travelers as unique representation of untainted Irish authenticity that was simultaneously celebrated by Irish-Ireland movement and patronizingly denigrated by British empire politics. The exuded Irish authenticity for educated and avid tourist alike, largely bypassing ever-increasing cultural split between sensitive traveler and tourist. (3) Moreover, common iconic fodder employed in both political and cultural circles gradually encouraged establishment of an authentic discourse on of Ireland. This textual dialogue was inscribed in travel writing of period, and Melissa Fegan suggests that travel writers appeared to see themselves as successive editors of text Ireland and that assumed stability of this text produced diachronic generalisations more often than synchronic truths. (4) As result, travel book became palimpsest that was over-written by succeeding travellers who preserved and added to its anachronistic interpretations. (5) Subsequent to this layered narratorial process Martin Ryle argues that by early twentieth century of was decisively recognized both as a unique place within Ireland, and as quintessentially Irish. (6) Its cultural status had become so time-honored and anchored in its physical geography that any exposition on subject was deemed almost redundant. It was into this maelstrom of cultural certainty that Somerville and Ross launched their own definitive account of in 1893, arguably attempting to reverse trajectory Fegan describes above. In this light, Through in Governess Cart becomes an endeavour not only to re-write but also to re-fashion ubiquitous images of of extolled in popular and commercial travel writing. (7) It was Ross's evident abhorrence of an intolerably vulgar guide to Connemara published in Dublin in early 1880s and detailed in letter to Somerville in 1889 that provided extra stimulation that she and her writing partner needed to embark on their own travel narrative of Ross's native Irish district. (8) The two travel writers' retaliatory tactics against perfunctory Dublin guide, The Midland Great Western Railway of Tourists' Handbook: Through and of Ireland, continually push against grain of nineteenth century's kitsch and colonial image of as preserved in many popular commercial accounts of region. Interactions with local people in these largely factual and functional guides, such as Charles and Adam Black's and Thomas Cook's, are few and far between. …" @default.
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• W2001427420 date "2004-01-01" @default.
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• W2001427420 title "Sitting on "The Outer Skin": Somerville and Ross's Through Connemara in a Governess Cart as a Coded Stratum of Linguistic/Feminist "Union" Ideals" @default.
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• W2001427420 doi "https://doi.org/10.1353/eir.2004.0008" @default.
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