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- W2002040990 abstract "AbstractThis article sets out the notion of a Field Broadcast from the dual perspective of Rebecca Birch, one of the developers of a bespoke version of Flash Media Live Encoder and Bram Thomas Arnold, an artist who uses a case study from Sideways Festival, Belgium, 2012. Field Broadcast enables an artist to be in a field, suitably equipped, and stream live footage to an audience. It is an experiment in place, site and the notion of a field. It is a new method of making work in the space between site-specific performance and the digital realm: a way of working that enables artists to generate new artworks within the non-place of the Internet. Birch introduces the technology from a number of perspectives before it is fleshed out with evidence and experience from a live project that took place in Belgium in 2012. Sideways was a festival that traversed Belgium over four weeks and 400 km, with artists walking and generating work en route. The possibilities offered by Field Broadcast are explored in relation to..." @default.
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- W2002040990 date "2015-01-02" @default.
- W2002040990 modified "2023-09-25" @default.
- W2002040990 title "A Belgian Transect: Field Broadcast in the expanded field of ecology" @default.
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- W2002040990 doi "https://doi.org/10.1080/14626268.2015.993656" @default.
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