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- W2003132067 abstract "Abstract This polemical article objects to the pervasive use of realism as a value or prescriptive term in the writing of Italian cinema history. It also offers a dissenting appraisal of the ‘institution’ of neorealism: the body of critical work and discourse that constructs neorealism as the ethical and aesthetic centre of Italian cinema. The discursive recourse to neorealism has become the essential authoritative gesture: to fail to refer to it is to risk seeming ignorant, philistine and most of all politically suspect. We contest this insidious common sense of Italian cinema studies, a common sense that is underpinned by a notion of auteurist ‘paternity’ as the default explanatory metaphor of Italian film history, and which leads to a dismissive tone in the discussion of genre films, not to mention a disdain for the audience for such films. We critique the idea of cinema as a ‘mirror’ of the nation found in some of the pre-eminent scholars of Italian cinema, and we finish by recommending a moratorium on the mention of neorealism for at least five years. What would a silence on realism allow us to reveal about other modes and genres?" @default.
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- W2003132067 date "2011-01-01" @default.
- W2003132067 modified "2023-09-27" @default.
- W2003132067 title "Against realism: on a ‘certain tendency’ in Italian film criticism" @default.
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- W2003132067 doi "https://doi.org/10.1080/1354571x.2011.530767" @default.
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