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• W2003213478 abstract "Concerned as he is with the relationship between reader and text, Chartier's observation that form produces meaning has largely been held as a given by most cultural and literary critics, especially since structuralist theory, as they set to work creating readings of texts. Nonetheless, Chartier's focus on the particular physicality, the materiality of the literary text and its impact on the reader and interpretation invites us to consider a field within Hispanic literary and cultural studies that has yet to be rigorously theorized or systematically questioned: the editorial construction of literature. That is, critical editing stands as a kind of mechanism that makes literary texts available to the reader, a shifting discourse that shapes and produces a text for the reader's consumption. Despite the insights of deconstruction and particularly the cultural turn in literary studies that has led more scholars to analyze the modes of production, dissemination and consumption of culture, critics have still to generate [End Page 302] a debate that problematizes the production of Hispanic literature by academic editors and, therefore, both the form in which we consume texts and its impact on our critical readings of them.1 If indeed the materiality of the text at hand is crucial to our reading of it, what do the forms that editors choose mean, and in turn, how does that meaning impact on what non-editing literary critics say? What are the dominant modes of editorial production within Hispanic Studies? What implications do particular editorial practices hold for the representation of the work, literary-critical interpretation, and textual availability?" @default.
• W2003213478 created "2016-06-24" @default.
• W2003213478 creator A5031734757 @default.
• W2003213478 date "2004-01-01" @default.
• W2003213478 modified "2023-10-17" @default.
• W2003213478 title "Garcia Lorca's Suites and the Editorial Construction of Literature" @default.
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• W2003213478 doi "https://doi.org/10.1353/mln.2004.0092" @default.
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