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• W2003294141 abstract "Parody in Eliza Haywood's A Letterfrom H— G—g, Esq. Earla A. Wilputte On 25 February 1749, Charles Edward Stuart, the Young Pretender, vanished from European public view. Expelled from France by Louis XV to honour the recendy negotiated Treaty ofAix-laChapelle with England, and rebuffed by Pope Benedict XIV for die expense he would cost the Vatican, Charles disappeared from the map, becoming the most speculated-upon celebrity for the next decade. In December 1749, Eliza Haywood was arrested for seditious libel for her involvement in a pamphlet entided A Letterfrom H— G—g, Esq; One ofiL· Gentlemen oftL·Bed-Chamber to tL· Young Chevalier, ... To a ParticularFriend. Not as glamorous as Charles but certainly capable ofstirring up as much personal speculation owing to her own mysterious absence ofbiography,1 Haywood has recendy drawn die attention ofmany scholars who are determined to affix a Tory—even Jacobite—label toherwritings.2The conjoining ofthese two popular 1 See Christine Blouch, Eliza Haywood and the Romance of Obscurity, SEL: Studies in Enghsh Literature 1500-1900 31:3 (Summer 1991), 535-51. 2 Most notably, Toni Bowers, Collusive Resistance: Sexual Agency and Partisan Politics in Love in Excess, in The Passionate Fictions ofEliza Haywood: Essays on HerLife and Work, ed. Kirsten T. Saxton and Rebecca P. Bocchiccio (Lexington: University ofKentucky Press, 2000), 48-68; Rachel Camel!, It's NotEasyBeing Green: Gender and Friendship in Eliza Haywood's Political Periodicals, Eighteenth-Century Studies 32:2 (1998-99), 199-214; Kirsten T. Saxton, Introduction, Passionate Fictions, 3; Ros Ballaster, Seductive Forms: EIGHTEENTH-CENTURY FICTION, Volume 17, Number 2January 2005 208 EIGHTEENTH-CENTURY FICTION icons—the Young Pretender, romantic hero of Culloden, and Eliza Haywood, audior ofdozens ofamatory novels—both considered wayward , direatening, and marginal by their contemporary society, makes for a compelling pair. Through Haywood's pamphlet, die two become interdependent, sharingwhat theYoung Chevalier called imaginary space, an expression he used to describe the years 1749-52 that he spent incognito, virtually invisible to the European political gaze.3 The advantage of being able to identify Haywood's political views is to enable us to think of her as an important political writer; however, as a female hack without a political patron, it is unlikely Haywood regarded herselfas significant in promoting any party ideology . As Catherine Ingrassia has noted, Haywood conformed to what was commercially desirable, marketing her talents for the best monetary advantage.4 As a liminal figure, Haywood had die opportunity to make seemingly unbiased observations on all parties while keeping herselfopen to any patronage that might arise. In all ofher political writings, she seems equally critical of Hanoverians and Jacobites, King and Pretenders, Whigs and Tories. In this way she could appeal to a multiple reading public and garner financial reward where she could.5 Haywoodwas arrested forher involvementwith die Goring pamphlet, which was construed by a nervous government as too favourable to the Young Pretender. Since dien, scholars have assumed diat she must necessarily have been supportive ofhim.6This is a case ofbiased reading: Haywood was accused by die government ofJacobite sympadiies , therefore one perceives those sympatiiies easily in the text If we examine die pamphlet widiout diese preconceptions and in alignment widi her other fiction writing, we discover diat it can be read as a satire ofall party ideology and press in the same vein as her Frederick, DuL· ofBrunswick-Lunenburgh (1729), which exposes the Women's AmatoryFictionfrom 1684 to 1 740 (Oxford: Clarendon Press, 1992), although she has recently modified her views in A Gender of Opposition: Eliza Haywood's Scandal Fiction, Passionate Fictions, 143-67. 3 Cited in Frank McLynn, Charles Edward Stuart: A Tragedy in Many Acts (London and New York: Roudedge, 1988), 385, from material in the Royal Archives, Windsor Castle (RA Stuart, 282/123). 4 Catherine Ingrassia, Authorship, Commerce, and Gender in Early Eighteenth-Century England: A CuUure ofPaper Credit (Cambridge: Cambridge University Press, 1998), 125. 5 Ingrassia, Authorship, Commerce, and Gender, 124. 6 In fact, Rachel Carnell writes, The possibility diat Haywood heldJacobite sympathies is suggested by her 1749 arrest for seditious libel (207). This seems to me to put much confidence in the wisdom ofgovernments. H— G—G, ESQ.209 deliberate construction..." @default.
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• W2003294141 title "Parody in Eliza Haywood's <i>A Letter from H——— G———g, Esq.</i>" @default.
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