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- W2003402493 abstract "great trend at that time in. the Arts and Sciences, a Gallic element should have wafted over ... To return to Couperin and Bach, I would be most grateful to you, if you could tell me more about that element which you call the French foam, and which you feel you can separate from its German base, and explain to me somehow the importance of this relationship to the surface and the substance of the music. Zelter's reply did not come until 9 June 1827: What I call the French foam in Sebastian Bach's music, cannot--I must admit-be so readily lifted off that you can lay your hands on it. It is like ether: it permeates all, yet is intangible." @default.
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- W2003402493 date "1985-05-01" @default.
- W2003402493 modified "2023-09-26" @default.
- W2003402493 title "The French influence in Bach's instrumental music" @default.
- W2003402493 doi "https://doi.org/10.1093/earlyj/13.2.180" @default.
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