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- W2004673669 abstract "Three-quarters of a century ago, the efforts of the Photo-Secessionists resulted in photography's acceptance as a serious form for artistic expression. Until recently, serious photography has continued to be defined by Photo-Secessionist aesthetics — prints produced without retouching or alteration, sharply focused, with full tonal range and made without the intervention of the artist's hand—i.e., “straight photography.” The stand of the Photo-Secessionists was crucial to preventing photography from becoming a debilitating mimicry of oil and brush techniques. Yet such a stand could not, because of the newness of the form, differentiate photography from the larger aesthetic traditions of western art." @default.
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- W2004673669 date "1978-09-01" @default.
- W2004673669 modified "2023-09-26" @default.
- W2004673669 title "Photography and the Photographic Image" @default.
- W2004673669 doi "https://doi.org/10.1080/00043249.1978.10793466" @default.
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