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- W2004962326 abstract "The literature on Oskar Kokoschka is divided between those scholars who argue for the psychological truth of the artist's self-portraits and those who argue for their fictive artificiality. This debate often hinges upon the pluralistic nature of the artist's self-portraiture. If Kokoschka depicts himself in multiple guises, so the argument goes, how can his art claim to represent the “real” self? This essay contributes to the discussion by introducing current theories about the nature of the self from social psychology into the debate. By relying on the recent distinctions made between the individual, relational, and collective self, as well as the theory of symbolic self-completion, and the dramaturgical aspects certain psychologists discern in everyday behavior, such an interdisciplinary approach allows a more nuanced version of the self to emerge. On this account, the self does betray multiple facets, but those facets may not necessarily unveil hitherto disguised layers of the psyche, as much as the various ways an individual engages in deliberate self-fashioning." @default.
- W2004962326 created "2016-06-24" @default.
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- W2004962326 date "2011-04-01" @default.
- W2004962326 modified "2023-09-23" @default.
- W2004962326 title "Defining Self in Kokoschka's Self-Portraits" @default.
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- W2004962326 doi "https://doi.org/10.1111/j.1756-1183.2011.00111.x" @default.
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