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- W2005045893 abstract "Exploring the ways in which Iris Murdoch's compulsive plots and characters are motivated by the question of the past, this lucid, insightful, and well-documented study restricts its focus to the six novels in which Murdoch chose to use first-person retrospective narration, namely, Under the Net (1954), A Severed Head (1961), The Italian Girl (1964), The Black Prince (1973), A Word Child (1975), and The Sea, the Sea (1978). The relatively narrow scope of the book affords a detailed examination of each of these works, while the retrospective profile enables Nicol to compare and contrast Murdoch's themes and techniques with those found in other postwar fictions concerned with the relations between present and past. Further, by concentrating on the problems and possibilities of first-person retrospective narration in this subset of Murdoch's corpus, Nicol is able to draw connections between the issues facing Murdoch's narrator-protagonists and issues explored in parallel ways by philosophers, psychoanalytic theorists, narratologists, and others." @default.
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- W2005045893 date "2001-01-01" @default.
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- W2005045893 title "Iris Murdoch: The Retrospective Fiction (review)" @default.
- W2005045893 doi "https://doi.org/10.1353/mfs.2001.0067" @default.
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