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- W2005060964 abstract "In his article Origin of the Old Testament Plays,' Mr. Craig brings forward and upholds a new theory for the source of the most common series of Old Testament plays found in the various cycles and Passions. M. Sepet2 had maintained with much brilliant erudition that the Christmas play of The Prophets of Christ, which had its origin in the Advent and Christmas matin lessons drawn the pseudo-Augustinian sermon De Symbolo, was the source for these plays. This Christmas procession of the prophets was lengthened by the addition of new prophets;3 it was amplified by the expanding of these prophecies into plays, which, when they had grown too unwieldy, according to M. Sepet, fell away the original procession only to unite again finally to form the cycles of Old Testament plays as we have them. Although this theory has been very generally accepted, there have always seemed to be fundamentally weak links in the chain of evidence; and all who are interested in the subject must therefore welcome Mr. Craig's new and well-sustained theory that these cycles arose rather from the addition to the Passion play of a body of epical and homiletic material derived, in the first instance, the lectiones and accompanying ritual of the church.4 He goes on to show that most of these plays evince definite and frequent traces of the antiphons and responses of matins Septuagesima Sunday to Passion Sunday, and that they present only those stories which are given in the Liber Responsalis5 for this same period. The lectiones for this period cover the greater part of Genesis and Exodus, but the choral responses which follow take up only the Creation and Fall; Cain and Abel; Noah and the Flood; Abraham and" @default.
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- W2005060964 date "1915-05-01" @default.
- W2005060964 modified "2023-09-27" @default.
- W2005060964 title "A Further Word as to the Origin of the Old Testament Plays" @default.
- W2005060964 doi "https://doi.org/10.1086/386992" @default.
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