Matches in SemOpenAlex for { <https://semopenalex.org/work/W2005802583> ?p ?o ?g. }
Showing items 1 to 50 of
50
with 100 items per page.
- W2005802583 abstract "In both byliny and literary poetry texts are organized such that each succeeding line adds something new to the exposition, which proceeds without interruption from the beginning to the end (ABCDE ). In literary verse the division of a poetic text into stanzas does not alter this principle. Folk songs, in which stanzas are formed by the regular repetition of lines or by the regular inclusion of a refrain, traditionally differ, because these features do not supplement the information being conveyed in the text. Such repetitions are explained by the melody of a song, which is more developed and longer than the accompanying verbal material. This demonstrates the non-linguistic nature of stanza forms, which were in their formation long ago connected with choreography and the music created by it. Just as a stanza in poetry represents a group of lines, so the melody of a song is an articulation of several musical sections, which may be related to each other by similarity (АА), contrast (АВ), or a combination of both (such as АВАВ or ААВВ). The end of a song's stanza is perceived together with the end of the melody and the following stanza is perceived from the outset as a repetition of this melody. However, the melody alone, without the text, does not permit a more detailed judgement about the internal structure of the stanza in a given song. Thus Rudneva [1994] demonstrated that several kinds of poetic stanza can be sung to a melody with the same sequence of musical sections; the reverse correlation seldom occurs. On the contrary, the text of a well recorded song permits the stanza structures to be classified with maximum accuracy. In reality, the number of lines in a stanza simultaneously represents the number of musical sections in its melody. In this case, the line represents a single rhythmic principle which determines both the melody and the words of a given song; over and above this, it also contains a specific verbal pattern for combining poetic lines into stanzas. As a measure of the overall musical-poetic rhythm, the line is more accessible and intelligible than the melody. It is no accident that stanza forms are classified by line in literary as well as in musicological studies. Although some argue for song stanza forms to be studied as a coordination of word and melody, and although musicologists have accumulated some experience" @default.
- W2005802583 created "2016-06-24" @default.
- W2005802583 creator A5049021017 @default.
- W2005802583 date "2010-01-24" @default.
- W2005802583 modified "2023-10-18" @default.
- W2005802583 title "Towards the Systematization of Stanza Forms in the Russian Folk Song" @default.
- W2005802583 cites W573857778 @default.
- W2005802583 doi "https://doi.org/10.17161/folklorica.v7i2.3722" @default.
- W2005802583 hasPublicationYear "2010" @default.
- W2005802583 type Work @default.
- W2005802583 sameAs 2005802583 @default.
- W2005802583 citedByCount "0" @default.
- W2005802583 crossrefType "journal-article" @default.
- W2005802583 hasAuthorship W2005802583A5049021017 @default.
- W2005802583 hasBestOaLocation W20058025831 @default.
- W2005802583 hasConcept C124952713 @default.
- W2005802583 hasConcept C138885662 @default.
- W2005802583 hasConcept C142362112 @default.
- W2005802583 hasConcept C164913051 @default.
- W2005802583 hasConcept C2776751804 @default.
- W2005802583 hasConcept C2992446111 @default.
- W2005802583 hasConcept C41895202 @default.
- W2005802583 hasConcept C95457728 @default.
- W2005802583 hasConceptScore W2005802583C124952713 @default.
- W2005802583 hasConceptScore W2005802583C138885662 @default.
- W2005802583 hasConceptScore W2005802583C142362112 @default.
- W2005802583 hasConceptScore W2005802583C164913051 @default.
- W2005802583 hasConceptScore W2005802583C2776751804 @default.
- W2005802583 hasConceptScore W2005802583C2992446111 @default.
- W2005802583 hasConceptScore W2005802583C41895202 @default.
- W2005802583 hasConceptScore W2005802583C95457728 @default.
- W2005802583 hasIssue "2" @default.
- W2005802583 hasLocation W20058025831 @default.
- W2005802583 hasOpenAccess W2005802583 @default.
- W2005802583 hasPrimaryLocation W20058025831 @default.
- W2005802583 hasRelatedWork W2025290846 @default.
- W2005802583 hasRelatedWork W2071185458 @default.
- W2005802583 hasRelatedWork W2360540810 @default.
- W2005802583 hasRelatedWork W2373179959 @default.
- W2005802583 hasRelatedWork W2485504728 @default.
- W2005802583 hasRelatedWork W2748952813 @default.
- W2005802583 hasRelatedWork W2899084033 @default.
- W2005802583 hasRelatedWork W3161929764 @default.
- W2005802583 hasRelatedWork W4281287502 @default.
- W2005802583 hasRelatedWork W1540209849 @default.
- W2005802583 hasVolume "7" @default.
- W2005802583 isParatext "false" @default.
- W2005802583 isRetracted "false" @default.
- W2005802583 magId "2005802583" @default.
- W2005802583 workType "article" @default.