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- W2006465531 abstract "In Uncle Vanya Il'ya I1'ich Telegin possesses a remarkable ability to either cloud an issue by stating the obvious in an involuted manner or utterly misrepresent it by calling it the reverse of what it is. Thus, when Sonya observes, Cold tea, Telegin responds, The temperature in the samovar has already decreased considerably.' When Vanya begins praising Yelena's beauty, a subject highly distressing to Telegin because any whiff of infidelity portends disaster, he comments to the old nurse, The weather is charming, the little birds are singing. we all live in peace and harmony - what more do we need? In the midst of Vanya's scathing attack on Serebryakov in the third act, Telegin pleads with him: Vanya, friend, don't.. .. I'm trembling .... Why spoil good relations?. Good relations had obviously been spoiled long before the play begins. But surely his crowning moment occurs at the beginning of the fourth act when he and Marina are discussing Vanya's two failed attempts to kill Serebryakov at nearly point-blank range: Yes, a subject worthy of Ayvazovsky's brush. The nineteenth-century Russian painter Ivan Ayvazovsky specialized in gigantic maritime paintings most commonly of battles and storms at sea. His work invariably strove for a monumental quality that is, of course, wholly lacking in Vanya's vain effort to redress the wrongs he blames on the Professor. Telegin brands this dismal failure as an event of immense significance, thereby unwittingly revealing its complete in significance." @default.
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- W2006465531 date "1999-12-01" @default.
- W2006465531 modified "2023-09-25" @default.
- W2006465531 title "A Subject Worthy of Ayvazovsky's Brush: Vanya's Misdirected Fury" @default.
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- W2006465531 doi "https://doi.org/10.3138/md.42.4.511" @default.
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