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- W2007925320 abstract "The term of implies a wholesale, full-bodied rendering of the exterior manifestations of character in one individual or in a group of people, whereas the psychological novel, its opposite, plumbs the causes of various human actions. Mme. de Lafayette is more interested in explaining why the princess of Cleves feels remorse and repentance when her husband dies than with what she does after rejecting the Duke of Nemours, whom she loves. Stendhal's The Red And The Black aimed at the demonstration of a certain type of human energy. In order to attain wealth, the means, red or black, is of small import to Julien Sorel. Julien's relations with Mme. Renal and Mlle. Mole are directed by his powerful will and his gift for analytic introspection. In our day of mystic dictators and totalitarian opportunities we have striking counterparts to this man, who admired Napoleon and smashed every encumbrance to his climb to power. Inevitably he, comes to ruin on the gallows because he finds established society arrayed against murder, but here again, it is not Julian Sorel's disgraceful exit from this world that moves us; it is the study of his own impulses and the effect of the environment that makes him the ambitious public enemy that he is. The novel of manners also escapes being linked with the historical novel of the order of Alfred de Vigny's Cinq-Mars. It does not propose to resurrect the past and do lesion to factual and accurate history for the sake of presenting a mixed dish of authentic truth and fabulous truth derived from hearsay. As Jules and Edmond Goncourt said: Historians are narrators of the past; novelists are narrators of the present. And by present they meant that social milieu which they themselves came to know thoroughly well during their own lifetime. According to Brunetiere, the cult of form is almost an obsession with novelists of manners. Inasmuch as an artist who deals strictly with homo sapiens, or as in Flaubert's case, with homo desipiens. does not so much need powerful inner dialectics, and wears well the title that Theopohile Gautier gave himself (I am a man for whom the external world exists), there must be in his work a transposition of sentiment to the realm of sensation. His inspiration, as was said of Flaubert's" @default.
- W2007925320 created "2016-06-24" @default.
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- W2007925320 date "1947-07-01" @default.
- W2007925320 modified "2023-09-25" @default.
- W2007925320 title "Some French contributors to the novel of manners" @default.
- W2007925320 doi "https://doi.org/10.1080/01619564709536072" @default.
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