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- W2008540843 abstract "Nathaniel Mackey's intermedia play on Strick: Song of the Andoumboulou 16-25 compels us to rethink much of what we know about music, language, sound, and poetry. Strick is a text-recording of boundless hybridity, a cross-fertilization of jazz and poetry which opens cognitive hatches to a world where conceptual dualisms (I/they, meaning/nonmeaning, sense/nonsense) disintegrate before the fertile power of that which rationality excludes. Linking his project to the work of Federico García Lorca and Lorca's invocation of cante jondo (deep song), Mackey enacts a specific recitation of cante jondo in order to trace the ineffable in poetic/musical practices. In both Mackey and Lorca, one finds an espousal of not only cross-cultural but intermedia fertilization and provocation, the appearance of a collective, polyphonic presence (Cante Moro 71). In Strick, this presence appears not as a product, but as a process of improvisation, or what I will call an aural oscillation between the dualisms of word and note, poetry and jazz. In this sense, Strick operates simultaneously as a critique of exclusionary tendencies and a positive project bringing the once expelled back into a shared history." @default.
- W2008540843 created "2016-06-24" @default.
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- W2008540843 date "2000-01-01" @default.
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- W2008540843 title "The Creak of Categories: Nathaniel Mackey's Strick: Song of the Andoumboulou 16-25" @default.
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- W2008540843 doi "https://doi.org/10.1353/cal.2000.0103" @default.
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