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- W2008616726 abstract "The medium of drama, asserted Ezra Pound, is not words but persons moving about on a stage using words.” Pound stated a truism, but one which is sometimes forgotten by critics of Beckett's plays. This omission is perhaps not surprising: after all, persons moving about on a stage are few and far between in his plays, especially in the microscopic dramas of the 1970's. And are the beings in these plays persons anyway? It is all too easy to feel that the static stage picture emancipates the text, licensing the critic to consider the playas a dramatic poem-in-prose. In a holograph note written in 1976 during the composition of That Time (in which we see on the stage only a disembodied head hanging in the air), Beckett himself wrote: To the objection visual component too small, out of all proportion with aural, answer: make it smaller on the principle that less is more. In this essay, I want to concentrate on Not I (1972) and to demonstrate that, in this play, much less than the whole body is made to yield more dramatic interest than a whole body ordinarily does. For in Not I, it is precisely the extraordinary nature of the visual component which encourages the fertile interaction between this single disembodied mouth and the text which it pours forth. Beckett conspires with his medium to make less more." @default.
- W2008616726 created "2016-06-24" @default.
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- W2008616726 date "1983-12-01" @default.
- W2008616726 modified "2023-10-17" @default.
- W2008616726 title "Counterpoint, Absence and the Medium in Beckett's <i>Not I</i>" @default.
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- W2008616726 doi "https://doi.org/10.3138/md.26.4.407" @default.
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