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- W2010025823 abstract "Now, I had learnedfrom the jazz musicians I had known as a boy in Oklahoma City something of the discipline and devotion to his art required of the artist ... These jazzmen, many of them now world-famous, livedfor and with music intensely. Their driving motivation was neither money nor fame, but the will to achieve the most eloquent expression of idea-emotions through the technical mastery of their instruments (which, incidentally, some of them wore as a priest wears the cross) and the give and take, the subtle rhythmical shaping and blending of idea, tone and imagination demanded of group improvisation. The delicate balance struck between strong individual personality and the group during those early jam sessions was a marvel of social organization. I had learned too that the end of all this discipline and technical mastery was the desire to express an affirmative way of life through its musical tradition and that this tradition insisted that each artist achieve" @default.
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- W2010025823 date "1993-01-01" @default.
- W2010025823 modified "2023-09-27" @default.
- W2010025823 title "The Lives of Jazz" @default.
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- W2010025823 doi "https://doi.org/10.1093/alh/5.1.129" @default.
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