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- W2012355631 abstract "Although Ramos Otero's literature has achieved a cult status among Puerto Rican intellectuals, his complete works are yet to be reedited. As a result of this, the writers and scholars that went to university during the 2000s read Ramos Otero in photocopies. How can a literary work reside and resist in a place as precarious as a photocopy? How is it that a book can generate enough interest to be obsessively photocopied by a whole generation of literature students, but not enough interest for it to be reedited by a publisher? This precarious afterlife is not only a quality of this writer's reception, but also a topic intrinsic to his work. The ghostly existence beyond the grave is one of the main topics within his work. Hence, through a revision of Deleuze and Guattari's concept of minor literature, Nietzsche's idea of Dionysian art, and the literary and scholarly response to Ramos Otero's work, I argue that his texts have the exceptional quality of reproducing in their reception the recurring topics intrinsic to his literature." @default.
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- W2012355631 date "2011-01-01" @default.
- W2012355631 modified "2023-10-17" @default.
- W2012355631 title "Grave Melodies: Literature and Afterlife in Manuel Ramos Otero" @default.
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- W2012355631 doi "https://doi.org/10.1353/rhm.2011.0026" @default.
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