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- W201268174 abstract "The purpose of this paper is to portray the friendship between Adam Mickiewicz and Karolina Pavlova (nee Jaenisch), the most distingished Russian poetess of the nineteenth century. To the student of Russian letters, it is likely that Pavlova is best known for her brilliant transla tions from and into various languages. Her poetry, however, is the most significant component of her literary work. Some of her contemporaries (Khomyakov) proclaimed her poetry to be not inferior to that of Pushkin's; the others (Yazykov, the Kireyevsky and Aksakov brothers, Baratynsky, and Vyazemsky) praised her verse and prophesied a glori ous future in Russian letters to her. In the late 1850's, however, she was ostracized from Russian literature because of the hostile attitude toward her poetry by the utilitarian-minded and progressive critics. She lived for almost four decades abroad, estranged from her home land, ridiculed by her former friends, without sufficient financial means, and yet devoting herself entirely to her sacred craft (her own expres sion), which she served until the last minutes of her life, a period of almost seventy years (Pavlova was born in July 1807 and died in December 1893). Pavlova's poetry, influenced at its early stage by German Romanti cism, definitely belongs to the romantic school. Later, after she had turned to the elegiac form, her Romanticism was rooted primarily in the traditions of the Russian classical elegy (four-fifths of her total poetry). In its structure her verse is innovative and exceedingly varied, based on her immersion in the poetic forms characteristic of the Push kin era. She wrote most frequently in iambics, which she handled with extraordinary mastery, while her trochaic pentameter is to this day unique in its perfection. Her rhymes are of special interest to the stu dent of Russian versification. Pavlova's most distinguished single con tribution here is in the field of assonance. Along with Afanasy Fet and Count Tolstoy she paved the way for the entrenchment of the half-rhyme in Russian prosody. Sound instrumentation, dominated by alliteration, is a most effective device in Pavlova's hands. Her neo logisms and unusual lexical combinations possess both originality and" @default.
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- W201268174 date "2016-01-01" @default.
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- W201268174 title "KAROLINA JAENISCH (PAVLOVA) AND ADAM MICKIEWICZ" @default.
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