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- W2014924128 abstract "In Cuba, race, nation, and popular music were inextricably linked to the earliest formulations of a national identity. This article examines how the racialized discourse of blanqueamiento, or whitening, became part of a nineteenth-century literary narrative in which the casi blanca mulata, nearly white mulatta, was seen as a vehicle for whitening black Cubans. However, as the novels of Cirilo Villaverde and Ramón Meza reveal, the mulata's inability to produce entirely white children established the ultimate unattainability of whiteness by nonwhites. This article analyzes the fluidity of these racial constructs and demonstrates that, while these literary texts advocated the lightening of the nation's complexion over time, they also mapped the progressive darkening of Cuban music as popular culture continued to borrow from black music." @default.
- W2014924128 created "2016-06-24" @default.
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- W2014924128 date "2005-01-01" @default.
- W2014924128 modified "2023-09-26" @default.
- W2014924128 title "Inexacting Whiteness: Blanqueamiento as a Gender-Specific Trope in the Nineteenth Century" @default.
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- W2014924128 doi "https://doi.org/10.1353/cub.2005.0033" @default.
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