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- W201542016 abstract "Our examination of the way in which Helmholtz, Tanaka, and Planck formulated the problem of just intonation and approached the construction of just intonation keyboard instruments represents but a fraction of the imaginative and innovative attempts by others who approached the just intonation keyboard problem from different perspectives. In the work and thought of the theoretical physicist Adriaan Fokker and his musical colleagues in the Dutch school of 31-tone per octave composers we have a singularly imposing instance of the fascination with which just-tempered keyboard construction and 31-tone per octave musical compositions were explored well into the twentieth century by scientists, instrument builders, technologists, and composers. As in our account of the life and contributions of Helmholtz and Planck, an investigation of Fokker’s devotion to scholarship and his intellectual legacy rests heavily on a life devoted in large part to theoretical physics. As will become evident in what follows, it is pertinent to explore Fokker’s contributions to theoretical physics in order to establish his identity and credibility as an intellectual who saw fit at mid-career to throw himself as wholeheartedly into the study of music theory as he had thrown himself into the study of theoretical physics." @default.
- W201542016 created "2016-06-24" @default.
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- W201542016 date "2014-01-01" @default.
- W201542016 modified "2023-09-27" @default.
- W201542016 title "Fokker: Theoretical Physicist" @default.
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- W201542016 doi "https://doi.org/10.1007/978-3-319-06602-8_19" @default.
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