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- W2015582223 abstract "O n Friday night, May i, 199~2, I was sitting in a bar in Lawrence, Kansas, watching MTV. This was already the third night of the Los Angeles insurrection unleashed by the Simi Valley acquittal of the four white policemen who beat Rodney King for a traffic violation. At 11:00oo p.m. the News came on, and, hardly surprising, the single topic of the evening was the protest in Los Angeles. During recent years MTV had increasingly been a site for social commentary, and voices of racial and class resistance regularly accompanied the music videos it broadcasts. In particular, MTV had become a site for the production, performance, and reception of rap, with its persistent politicization of voices from the African-American urban underclass. It would also seem hardly surprising that the commentators-that is, the mediators of the news-on May i were rappers and that the news consisted of a mix of well-known raps, spontaneously created rap-responses, film clips, and an immediate, direct conversation between the rappers and their viewers. Rap music had for years predicted the Los Angeles insurrection, particularly the confrontation between African-Americans and the policing of public" @default.
- W2015582223 created "2016-06-24" @default.
- W2015582223 creator A5084738604 @default.
- W2015582223 date "1993-01-01" @default.
- W2015582223 modified "2023-10-04" @default.
- W2015582223 title "Musicology as a Political Act" @default.
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- W2015582223 doi "https://doi.org/10.2307/764020" @default.
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