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- W2015673918 abstract "In Northern Ireland, as in the rest of the United Kingdom, the war years were those in which the state began to subsidize the arts. The Entertainment National Service Association, first established in World War I to entertain the troops, was revived. Given the presence of British and Allied troops in the state this group also operated in Northern Ireland; there was, however, still no comparable service for the civilian population at home. 1 That changed in 1943 when, with the help of the Pilgrim Trust--a beneficence set up by Edward Harkness in 1930--the Council for the Encouragement of Music and the Arts was established in Northern Ireland. 2 Later, CEMA Northern Ireland would also benefit from the largesse of the Carnegie United Kingdom Trust. CEMA, as it became known, was composed of the Council and three subcommittees, dealing with art, drama, and music, respectively. 3 By 1945, CEMA Northern Ireland had thirty-one local committees, although sometimes a committee amounted to a one-person campaign, and it was always a voluntary undertaking. 4 CEMA's slogan in the United Kingdom became the best for the most, and this was also adopted in Northern Ireland. However, by 1953, CEMA had been forced into a divisive policy which alienated significant numbers of their supporters: the playing of the British national anthem, God Save the King, at all events that they sponsored." @default.
- W2015673918 created "2016-06-24" @default.
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- W2015673918 date "2001-01-01" @default.
- W2015673918 modified "2023-10-17" @default.
- W2015673918 title "CEMA and the National Anthem: The Arts and the State in Postwar Northern Ireland" @default.
- W2015673918 cites W1966494372 @default.
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- W2015673918 doi "https://doi.org/10.1353/nhr.2001.0046" @default.
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