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- W2016103207 abstract "Reading is political. As Jane H. Hunter, Gwen Athene Tarbox, and Lois Keith imply, girls' fiction constitutes as well as addresses girls as a distinct audience in order to facilitate social changes reshaping late-nineteenthand early-twentieth-century US culture. Although they differ on social impact of girlhood constructed through fiction, Hunter' s How Young Ladies Became Girls, Tarbox's The Clubwomen's Daughters, and Keith's Take Up Thy Bed and Walk all assume that if the process of reading, as Walt Whitman notes, requires the reader of book as well as its author to complete text, text to be completed in girls' fiction is girlhood itself (424-25). All three books share a concern with girls' fiction and social change, and yet what I find intriguing is what all assume but none explore-that is, larger political and finally national significance of girl that girls' fiction helps to constitute. Creating very girls it presumes, girls' fiction, as Peter Stoneley has recently suggested, teaches both adult and child readers how to invest in girlhood as a way of either accepting or finding alternatives to consumer culture. The creation of this girl, thereforewhether she seems to facilitate or resist consumerism-is coincident" @default.
- W2016103207 created "2016-06-24" @default.
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- W2016103207 date "2004-06-01" @default.
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- W2016103207 title "Consenting Fictions, Fictions of Consent" @default.
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- W2016103207 doi "https://doi.org/10.1093/alh/ajh014" @default.
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