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- W2016480010 abstract "It has become cliche say that the sexual revolution is all talk. Our miniskirted coeds are no more promiscuous than their grandmothers were, only more loquacious. My generation was called silent, this one talks and talks. A lot of their talk is sexy. Their music throbs with an erotic pulse as singers shout brief anglo-saxon words. And nowadays even well-bred little girls like dirty pictures. Apparently it is the impact of the communications explosion and not a surge of lust that has aroused the passions of our youth. Nowhere is this more evident than in the works of art that college students and postgraduates produce. importance of sexuality as a sponsoring motive in all creative activity is widely accepted. British art historian Sir Kenneth Clark, in his classic, Nude, wrote that our need to grasp and be united with another human being is so fundamental a part of our nature that our judgment of what is known as 'pure form' is inevitably influenced by it.' And Vincent Van Gogh cast the same thought in the form of a confession: If defrauded of the power create physically a man tries create thoughts in the place of children, he is still part of humanity.2 Then, too, there is the prominence through the history of art of such overtly erotic themes as The Loves of Jupiter. Leda swoons in the swan's embrace, Danae and Io open their thighs receive Zeus disguised as a shower of gold and as a rutting cloud. In" @default.
- W2016480010 created "2016-06-24" @default.
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- W2016480010 date "1970-07-01" @default.
- W2016480010 modified "2023-09-25" @default.
- W2016480010 title "Dirty Pictures and Campus Comity" @default.
- W2016480010 doi "https://doi.org/10.2307/3331369" @default.
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