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- W2016505007 abstract "Samuel Beckett’s own self-awarance as a writer’s stance, maintains the very same quality of his plays and his irony as a theatrical device operates through three technical choices: self– reflexivity, awareness of the theatrical space and time, adressing the playwright and audience For Ionesco, irony is considered as a function of the language and the theatre of Genet reveals the comparable side of the life with theatre by emphasizing the counterfeit quality of everyday life of its audience. This method makes the concept of “rol” a central argument of his ironic theatricality _______________________________________ * Ogretim Gorevlisi, Doktor Ankara Universitesi Dil ve Tarih-Cografya Fakultesi Tiyatro Bolumu" @default.
- W2016505007 created "2016-06-24" @default.
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- W2016505007 date "2005-01-01" @default.
- W2016505007 modified "2023-09-25" @default.
- W2016505007 title "Absürd Tiyatroda İroni The Irony of Absurd Theatre" @default.
- W2016505007 doi "https://doi.org/10.1501/tad_0000000012" @default.
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