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- W2018159314 abstract "The concepts of sympathy and sentiment have been vital to critical discussions of the ideals of humanness and social organization that were emerging in the eighteenth-century. How sympathy and sentiment develop out of the family home and become part of national and international projects is a complex story. This essay is concerned with Wordsworth's relationship to sentimental modes of writing, especially the British project of abolitionist writing; with his sonnet “To Toussaint L'Ouverture”; and with how Wordsworth uses poetic techniques as a response to the structure of sentimentalism. Comparing Wordsworth's sonnet with abolitionist sonnets by Southey, I discuss the logic of sentimentalism and its aesthetic qualities. Wordsworth's suspicion of sentimentalism is then put in the context of his analysis of the French Revolution and his critique of the newspaper, a mass culture institution. I then bring this context into an analysis of Wordsworth's use of rhyme in his address to Toussaint, studying the multiple publications of his sonnet. I argue that embedded in the rhymes of the 1803 version is a radical lesson, felt at the level of aesthetic experience and not beyond it: only those oppressed by the privileged can build and ratify a society that responds to suffering." @default.
- W2018159314 created "2016-06-24" @default.
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- W2018159314 date "2015-02-25" @default.
- W2018159314 modified "2023-09-24" @default.
- W2018159314 title "Wordsworth and “the most unhappy man of men”: Sentimentalism and Representation" @default.
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- W2018159314 doi "https://doi.org/10.1080/10509585.2015.1004545" @default.
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