FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2020170657> ?p ?o ?g. }

• W2020170657 endingPage "143" @default.
• W2020170657 startingPage "130" @default.
• W2020170657 abstract "This article investigates an age-old, puzzling question: how can a negatively valenced emotion such as sadness go together with aesthetic liking and even pleasure? We propose that an answer to this question must take into account the feeling of being moved, a complex emotional state that plays a major role in the history of poetics and aesthetics and has recently begun to attract interest in psychological research. We conducted a study in an actual cinema using film clips as sadness-eliciting stimuli. In total, 76 participants watched 38 clips that presented variations of the same sad scenario: a character or a group of characters learns about the death of a close person. The study revealed a highly significant positive correlation between sadness and enjoyment. However, this correlation was almost fully mediated by the feeling of being moved. Hence sadness primarily functions as a contributor to and intensifier of the emotional state of being moved. Furthermore, the study revealed that being moved is a positive term in two senses. First, it refers to an overall positive feeling. Second, it indicates a positive value judgment regarding the power of a film to elicit such feelings. Therefore, we conclude that it is the overall positive feeling of being moved itself that recipients of sad films and other forms of art enjoy—we simply like to be moved. Taken together, our findings are significant for investigations of the so-called ‘sad-film paradox’ and the aesthetic pleasure associated with negative emotions more generally." @default.
• W2020170657 created "2016-06-24" @default.
• W2020170657 creator A5012062546 @default.
• W2020170657 creator A5014628323 @default.
• W2020170657 creator A5033234843 @default.
• W2020170657 creator A5053766913 @default.
• W2020170657 creator A5091579425 @default.
• W2020170657 date "2014-05-01" @default.
• W2020170657 modified "2023-10-16" @default.
• W2020170657 title "Why we like to watch sad films. The pleasure of being moved in aesthetic experiences." @default.
• W2020170657 cites W1203475483 @default.
• W2020170657 cites W1511272965 @default.
• W2020170657 cites W1964599730 @default.
• W2020170657 cites W1965726881 @default.
• W2020170657 cites W1971232806 @default.
• W2020170657 cites W1974141381 @default.
• W2020170657 cites W1975600556 @default.
• W2020170657 cites W1979597058 @default.
• W2020170657 cites W1981520896 @default.
• W2020170657 cites W1982489625 @default.
• W2020170657 cites W1985898429 @default.
• W2020170657 cites W1985948319 @default.
• W2020170657 cites W1988351197 @default.
• W2020170657 cites W1998518389 @default.
• W2020170657 cites W2001039482 @default.
• W2020170657 cites W2005657482 @default.
• W2020170657 cites W2006661172 @default.
• W2020170657 cites W2012442161 @default.
• W2020170657 cites W2018431463 @default.
• W2020170657 cites W2020211117 @default.
• W2020170657 cites W2022171830 @default.
• W2020170657 cites W2024169416 @default.
• W2020170657 cites W2025258510 @default.
• W2020170657 cites W2025792142 @default.
• W2020170657 cites W2027386447 @default.
• W2020170657 cites W2028871521 @default.
• W2020170657 cites W2029504801 @default.
• W2020170657 cites W2044994599 @default.
• W2020170657 cites W2055410383 @default.
• W2020170657 cites W2059275676 @default.
• W2020170657 cites W2062800517 @default.
• W2020170657 cites W2068588864 @default.
• W2020170657 cites W2068873472 @default.
• W2020170657 cites W2069104513 @default.
• W2020170657 cites W2074465904 @default.
• W2020170657 cites W2075626077 @default.
• W2020170657 cites W2078171930 @default.
• W2020170657 cites W2080315483 @default.
• W2020170657 cites W2085601290 @default.
• W2020170657 cites W2086695193 @default.
• W2020170657 cites W2096976340 @default.
• W2020170657 cites W2102770351 @default.
• W2020170657 cites W2103737507 @default.
• W2020170657 cites W2110983725 @default.
• W2020170657 cites W2111297405 @default.
• W2020170657 cites W2112025783 @default.
• W2020170657 cites W2116952601 @default.
• W2020170657 cites W2117278087 @default.
• W2020170657 cites W2120152165 @default.
• W2020170657 cites W2124596021 @default.
• W2020170657 cites W2127597180 @default.
• W2020170657 cites W2130845864 @default.
• W2020170657 cites W2131607354 @default.
• W2020170657 cites W2134031328 @default.
• W2020170657 cites W2135869619 @default.
• W2020170657 cites W2143379006 @default.
• W2020170657 cites W2148905283 @default.
• W2020170657 cites W2149051641 @default.
• W2020170657 cites W2149628368 @default.
• W2020170657 cites W2154255135 @default.
• W2020170657 cites W2159018741 @default.
• W2020170657 cites W2160976872 @default.
• W2020170657 cites W2163553687 @default.
• W2020170657 cites W2163995972 @default.
• W2020170657 cites W2167557160 @default.
• W2020170657 cites W2170007928 @default.
• W2020170657 cites W2170097564 @default.
• W2020170657 cites W2171052235 @default.
• W2020170657 cites W2187433069 @default.
• W2020170657 cites W2750509731 @default.
• W2020170657 cites W2796062252 @default.
• W2020170657 cites W3122568681 @default.
• W2020170657 cites W3123830491 @default.
• W2020170657 cites W3123879943 @default.
• W2020170657 cites W3127234306 @default.
• W2020170657 cites W3149847237 @default.
• W2020170657 cites W4859234 @default.
• W2020170657 cites W582559941 @default.
• W2020170657 cites W594300424 @default.
• W2020170657 cites W598382137 @default.
• W2020170657 doi "https://doi.org/10.1037/a0035690" @default.
• W2020170657 hasPublicationYear "2014" @default.
• W2020170657 type Work @default.
• W2020170657 sameAs 2020170657 @default.
• W2020170657 citedByCount "111" @default.
• W2020170657 countsByYear W20201706572014 @default.
• W2020170657 countsByYear W20201706572015 @default.
• W2020170657 countsByYear W20201706572016 @default.

• next