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- W2022240413 abstract "When we consider Gustav Mahler as a re-creative musician, there is an undeniable tendency to focus solely on his years at the helm of the Vienna Court Opera, from 1897 to 1907. Bernd Schabbing's 2001 Hamburg dissertation, written under the supervision of Constantin Floros and now appearing in print, adds a welcome perspective to the topic by its thorough and fascinating study of Mahler in Hamburg. The Hamburg period (1891-97) was important for Mahler for various reasons. He then had the opportunity to conduct symphonic works with some regularity; he enjoyed close personal and professional relationships with Anna von Mildenburg and Bruno Walter; his success in Hamburg reinforced the admiration influential contemporaries such as Johannes Brahms and Hans von Bülow already had for him; and it served as a successful springboard to the Vienna post. Most importantly, perhaps, it marked a return to regular composition, after something of a block in Budapest, with the completion of the Second and Third Symphonies, the revision of the First, and the composition of numerous songs from Des Knaben Wunderhorn. In Hamburg he also developed his lifelong pattern of composing in the summer, and orchestrating and recopying his summer work during the rest of the year." @default.
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- W2022240413 date "2003-01-01" @default.
- W2022240413 modified "2023-10-17" @default.
- W2022240413 title "Gustav Mahler als Konzert- und Operndirigent in Hamburg (review)" @default.
- W2022240413 doi "https://doi.org/10.1353/not.2003.0163" @default.
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