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- W2022540431 abstract "In recent decades, the subject has increasingly come under pressure from poststructuralist and deconstructive theory production. Indeed the postulate of the death of the subject seems to have caused autobiography to lose its referent, which Roland Barthes, among others, intended to demonstrate with his text Roland Barthes par roland barthes. For despite talk of a decentralized or discursively produced self, of the fragmented ego and bodies as text, what the debate ultimately involves is the production of meaning, history, experience and the relationship between the collective or society and the individual. Reviewing the witness accounts of the Shoah, read as autobiographical documents, calls for a new questioning of definitions of the self and the subject, to the extent that these accounts primarily are narratives of self-destruction which virtually contradicts a traditional definition of autobiography and must thus necessarily call the genre itself into question. Although the numerous autobiographies and witness accounts by survivors of the Shoah would seem to prove exactly the opposite, the question of the subject of speech is raised in a statement, for instance, in the autobiography of Charlotte Delbo: I died in Auschwitz but no one knows it.2 How and under which conditions is it possible to make a statement like this, on the one hand, and on the other, to understand it or at least think one does understand it? In the following investigation of the autobiographies or autobiographical writings by Charlotte Delbo, Jean Amery, Ruth Kluger, Aharon Appelfeld, Imre Kertesz, and others3," @default.
- W2022540431 created "2016-06-24" @default.
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- W2022540431 date "2002-01-01" @default.
- W2022540431 modified "2023-10-18" @default.
- W2022540431 title "Narratives of Destruction: Autobiographies and Autobiographical Writing after the Shoah" @default.
- W2022540431 doi "https://doi.org/10.1628/094457002778638208" @default.
- W2022540431 hasPublicationYear "2002" @default.
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