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- W2022603452 abstract "Abstract Major collections have an important, but often unexamined position in the historiography of photography. In addition to offering evidence of the past or a reflection of contemporary times. they call attention to particular artists or genres. It is unusual in Britain for major public collections to bear the names of their curators; instead. collections becomc identificd with the institution that houses and cares for them. Rarely do we question the predilections and agendas of those who purchased or acquired works and archives, or properly consider the effect on a collection of policies and interests of these institutions that may change radically over the years. Collections themselves are continuously being re-assessed: a collection. or elements of it. can be substantially reinterpreted within the space of a decade. For example, work that in the nineteenth century may have been acquired as architectural photography, perhaps catalogued only by place name, can be relocated under its author, often bringing to light a new set of masterworks." @default.
- W2022603452 created "2016-06-24" @default.
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- W2022603452 date "1994-09-01" @default.
- W2022603452 modified "2023-09-27" @default.
- W2022603452 title "English collections of women photographers in national museums" @default.
- W2022603452 doi "https://doi.org/10.1080/03087298.1994.10442357" @default.
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