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- W2022646739 abstract "For most of the Elizabethan period, the congregational singing of metrical psalms was as orthodox a feature of church culture as the Book of Common Prayer. The market for the English metrical psalter had generated 150 editions by the end of Elizabeth's reign (c.220,000 copies), and nearly 1,000 editions by the 19th century. Had sacred polyphony of the 15th and 16th centuries survived on even a small fraction of this scale, the history of Tudor music would look considerably different today. Yet despite such a huge number of publications, metrical psalmody has been viewed since the early 17th century through the lens of partisan historiography that relegated it to the sidelines as a Puritan aberration. Building on the seminal work of Nicholas Temperley, Robin Leaver and Rivkah Zim (along with others in adjacent fields), Beth Quitslund tackles this imbalance in The Reformation in rhyme, the first..." @default.
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- W2022646739 date "2010-01-31" @default.
- W2022646739 modified "2023-10-14" @default.
- W2022646739 title "Text and musical context in the English Reformations" @default.
- W2022646739 doi "https://doi.org/10.1093/em/cap119" @default.
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