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• W2022962829 abstract "Popular music is one of the most ubiquitous forms of contemporary culture. This paper looks at the phenomenon known as rave or dance culture in Britain. It examines the nature of the consumer experience at a dance club through the use of a two stage methodology. Based on observations and the collection of phenomenological data, the findings suggest that the experience is linked to a series of behaviours, which are related to fragmentation and identity. These include narcissistic identity, the emergence of new communities, the need for escape, engagement and prolonged hedonism. The paper examines these concepts in relation to postmodern consumption. In particular, an evaluation of postmodern theory and its focus on fragmentation and the project of the self is offered, by arguing for a return to community." @default.
• W2022962829 created "2016-06-24" @default.
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• W2022962829 date "2002-12-01" @default.
• W2022962829 modified "2023-09-25" @default.
• W2022962829 title "Working Weeks, Rave Weekends: Identity Fragmentation and the Emergence of New Communities" @default.
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• W2022962829 doi "https://doi.org/10.1080/1025386022000001406" @default.
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