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- W2022986172 abstract "This article uses the Women’s Liberation Music Archive (WLMA) as a case study to explore re-enactment as the performative ‘doing’ of history. As an archive composed of music-making processes rather than commercial ‘products’, the article argues this is an invitation to consider the time of history as one of action and enlivenment. The article frames the dissemination of material in the WLMA as a delayed event that is made possible by the digital technologies, in particular free web tools, such as blogs. It explores the implications of the resurfacing of marginal cultural histories within the present moment, and how this can transform conceptions of historicity and time. Finally, the article asserts the value of digital archives within the context of music histories, thus challenging the notion that effective historical encounters can only occur through engagement with original objects." @default.
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- W2022986172 date "2013-06-03" @default.
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- W2022986172 title "Re-enacting process: temporality, historicity and the Women’s Liberation Music Archive" @default.
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- W2022986172 doi "https://doi.org/10.1080/13527258.2013.794745" @default.
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