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- W2023597742 abstract "For those familiar with the brief but turbulent history of the Situationist International (SI), or those acquainted with its publications, artwork, and films, Mike Peters's words introducing the work of Guy Debord come as no surprise. Indeed, the attempt to link radical social practice (particularly that of the SI) with academic pursuits may appear to be, at very best, an attempt to co-opt and undermine the vibrancy and independence of an intellectual and creative critique outside the traditional systems of power and knowledge. Perhaps this is so. But while much of the spirit and substantive critique of the SI is kept alive outside the academy in the work of Peters, Bill Brown, and other pro-situs, 2 the argument presented here is simple: by understanding and applying the Situationist critique of urban space (specifically that put forth in the first phase of the group—from 1957 to 1962) to motion picture analysis and practice, new roads of understanding and criticism are opened for debate, and the experience of both cinema and the urban milieu may be significantly enriched." @default.
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- W2023597742 date "2003-01-01" @default.
- W2023597742 modified "2023-10-17" @default.
- W2023597742 title "Tales of the City: Applying Situationist Social Practice to the Analysis of the Urban Drama" @default.
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- W2023597742 doi "https://doi.org/10.1353/crt.2003.0026" @default.
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