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• W2023607658 abstract "Previous articleNext article No AccessTemporality, Storage, Legibility: Freud, Marey, and the CinemaMary Ann DoaneMary Ann Doane Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 22, Number 2Winter, 1996 Article DOIhttps://doi.org/10.1086/448793 Views: 31Total views on this site Citations: 33Citations are reported from Crossref Copyright 1994 The University of ChicagoPDF download Crossref reports the following articles citing this article:Mieke Bal Refugees and Representation: An Impossible Necessity, Humanities 11, no.11 (Feb 2022): 29.https://doi.org/10.3390/h11010029Nanna Verhoeff Surface Explorations: 3D Moving Images as Cartographies of Time, (Jul 2020).https://doi.org/10.5117/9789089649928_ch07Allegra R. P. Fryxell Psychopathologies of time: Defining mental illness in early 20th-century psychiatry, History of the Human Sciences 32, no.22 (Jul 2019): 3–31.https://doi.org/10.1177/0952695119843727JULIE TAYLOR Mechanical Reproduction: The Photograph and the Child in The Crisis and the Brownies’ Book, Journal of American Studies 40 (Feb 2019): 1–38.https://doi.org/10.1017/S0021875819000045Christian Mieves ‘It doesn’t reveal itself’: erosion and collapse of the image in contemporary visual practice, Journal of Visual Art Practice 17, no.2-32-3 (Jul 2018): 206–224.https://doi.org/10.1080/14702029.2018.1466455Christian Mieves Erosion and illegibility of images: ‘beyond the immediacy of the present’, Journal of Visual Art Practice 17, no.2-32-3 (Jul 2018): 135–143.https://doi.org/10.1080/14702029.2018.1466456JP Kelly A (Very) Brief History of Time: From Analogue to Digital, (Oct 2017): 23–52.https://doi.org/10.1007/978-3-319-63118-9_2Ulrike Kadi Bemerkungen zur Zeitlosigkeit in Kino, Comic und Kur, Forum der Psychoanalyse 31, no.33 (Aug 2015): 303–317.https://doi.org/10.1007/s00451-015-0201-zOrit Halpern Cybernetic rationality, Distinktion: Journal of Social Theory 15, no.22 (Jul 2014): 223–238.https://doi.org/10.1080/1600910X.2014.923320 Bibliography, (Jan 2005): 225–248.https://doi.org/10.1215/9780822387381-009Henning Schmidgen Pictures, Preparations, and Living Processes: The Production of Immediate Visual Perception (Anschauung) in late-19th-Century Physiology, Journal of the History of Biology 37, no.33 (Oct 2004): 477–513.https://doi.org/10.1007/s10739-004-2286-xTim Armstrong Len Lye and Laura Riding in the 1930s: the Impossibility of Film and Literature, (Jan 2003): 125–136.https://doi.org/10.1057/9780230389991_8Ivone Margulies Bodies Too Much, (Jan 2003): 1–23.https://doi.org/10.1215/9780822384618-001André Bazin, Translated by Mark A. Cohen Death Every Afternoon, (Jan 2003): 27–31.https://doi.org/10.1215/9780822384618-003Serge Daney, Translated by Mark A. Cohen The Screen of Fantasy (Bazin and Animals), (Jan 2003): 32–41.https://doi.org/10.1215/9780822384618-004Philip Rosen History of Image, Image of History, (Jan 2003): 42–79.https://doi.org/10.1215/9780822384618-005 The Object of Theory, (Jan 2003): 80–89.https://doi.org/10.1215/9780822384618-006 No Longer Absolute, (Jan 2003): 93–118.https://doi.org/10.1215/9780822384618-008 In Search of the Real City, (Jan 2003): 119–143.https://doi.org/10.1215/9780822384618-009 Private Reality, (Jan 2003): 144–163.https://doi.org/10.1215/9780822384618-010 Mike Leigh’s Modernist Realism, (Jan 2003): 164–184.https://doi.org/10.1215/9780822384618-011 Why Is This Absurd Picture Here? Ethnology/Heterology/Buñuel, (Jan 2003): 185–214.https://doi.org/10.1215/9780822384618-012 Exemplary Bodies, (Jan 2003): 217–244.https://doi.org/10.1215/9780822384618-014 Pasolini on Terra Sancta, (Jan 2003): 245–269.https://doi.org/10.1215/9780822384618-015 Ecstatic Ethnography, (Jan 2003): 270–293.https://doi.org/10.1215/9780822384618-016 Filmic Tableau Vivant, (Jan 2003): 294–314.https://doi.org/10.1215/9780822384618-017 Dreyer’s Textual Realism, (Jan 2003): 315–324.https://doi.org/10.1215/9780822384618-018 Selected Bibliography, (Jan 2003): 325–332.https://doi.org/10.1215/9780822384618-019 Contributors, (Jan 2003): 333–335.https://doi.org/10.1215/9780822384618-020Catherine Russell L’historiographie parallaxiale et la flâneuse : le cinéma pré- et postclassique, Cinémas 10, no.2-32-3 (Oct 2007): 151–168.https://doi.org/10.7202/024820arCelia Lury Marking Time with Nike: The Illusion of the Durable, Public Culture 11, no.33 (Sep 1999): 499–526.https://doi.org/10.1215/08992363-11-3-499James Sey The Labouring Body and the Posthuman, (Jan 1999): 25–41.https://doi.org/10.1007/978-1-349-27667-7_2 Bibliography, (Jan 1999): 355–363.https://doi.org/10.1215/9780822396680-017" @default.
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