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• W2023709436 abstract "Diaries, journals, and notebooks are immensely productive genres of inter- medial approximation that help us understand and accommodate new media and innovative media uses. Throughout fi lm history, analogies to diaries and notebooks have generated new ways of understanding fi lm and contributed to a great many innovations in fi lmmaking in diverse aesthetic traditions. One reason for this may be attributed to the fact that journals often predate or ac- company a fi lm production. As a genre of exploration and experimentation, the diary is invoked programmatically in Dziga Vertov's quest for an absolute fi lm language liberated from literary, dramatic, or painterly conventions. The opening credits of his masterpiece and cinematic manifesto Man with a Movie Camera (1929) frame the fi lm as excerpts from the diary of a cameraman. In the same year, Wilhelm Georg Pabst's adaptation Diary of a Lost Girl was praised for introducing a new realism to fi lmed melodramas by portraying a diaristic reality. Journals also played an eminent role in auteur cinema of the 1950s. In a gesture that appears almost diametrically opposed to Vertov, Robert Bres- son's Journal d'un cure de campagne (Diary of a Country Priest) (1951) re- turns to the early intermedial matrix of literature and fi lm to re-invent cinema from scratch. The encroachment of the diary on avant-garde fi lms and per- sonal documentaries has received the most critical attention. Diaristic forms and testimonial genres informed a number of fi lm movements in the second half of the twentieth century, including the French New Wave—see espe- cially Agnes Varda's early short L'opera-mouffe (Diary of a Pregnant Wom- an) (1958)—the British documentary movement Free Cinema, as well as the auto biographical turn in US avant-garde cinema during the 1960s and 1970s. 1 Jim McBride's movie David Holzman's Diary (1967) deserves per- haps a special mention in this historical trajectory, as it absorbed trends in experimental fi lm at that time and later became a reference point for both auto biographical documentaries and the mockumentary genre (Lane)." @default.
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• W2023709436 date "2013-01-01" @default.
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• W2023709436 title "A Series of Dated Traces: Diaries and Film" @default.
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• W2023709436 doi "https://doi.org/10.1353/bio.2013.0028" @default.
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