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- W2024451615 abstract "Between March and July of 1994, the period just before and after the death of the Lubavitcher Rebbe, Menachem Mendel Schneersohn, I was doing fieldwork among Lubavitch women in Crown Heights, New York, and in Morristown, New Jersey, home of the Lubavitch Rabbinical College. Most of the women I encountered said they believedor at least hopedthat their Rebbe would not die, but would rather emergerise up was the expression they usedas the Messiah. While attending their study sessions and prayer gatherings and visiting them in their homes, I inadvertently discovered that a new ritual object was emerging in the women's community: a Miriam's tambourine. Because a tambourine is a prosaic object, evoking folk concerts and children's rhythm training, it was not initially clear to me that this object, in the context of the Lubavitch women, possessed spiritual agency. In this essay, I attempt to narrate, in the form of a chronicle, various forms of spiritual work that the tambourine performed for Lubavitch women. Speaking broadly, I observed that the tambourine enabled the creation of women's bonds; it channeled anxiety and creative energy, and it released the women from boundaries of time and place as they identified with the biblical Miriam and the confident ancient Israelite women who had gracefully saved the day when their husbands quarreled, complained, despaired, and withdrew from procreation. The tambourine eased women across a threatening transition, guiding and assuring them, and creating a locus for divine-human intersection." @default.
- W2024451615 created "2016-06-24" @default.
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- W2024451615 date "2005-04-01" @default.
- W2024451615 modified "2023-10-16" @default.
- W2024451615 title "WAITING FOR THE MESSIAH, A TAMBOURINE IN HER HAND" @default.
- W2024451615 doi "https://doi.org/10.2979/nas.2005.-.9.144" @default.
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